The Gaols

Night Permits, Public Liability and the Bureaucracy Behind the After-Dark Ticket

The heritage gaol may be the attraction, but the paperwork is what keeps it open after dark.

Bilingual sign on wooden siding lists admission as $3, free for children 12 and under
Night access at a heritage-listed site runs on a site-access agreement and a public liability policy before it runs on atmosphere.Photo: Erik Mclean / Pexels

The Agreement Before the Lantern Is Lit

Running a ghost tour through a heritage-listed gaol requires considerably more than a compelling story and a box of battery candles. Before any operator leads a paying group through a cell block after hours, a formal site-access agreement must be in place — a document that defines permitted zones, hours of operation, maximum group sizes, emergency procedures, and the consequences of non-compliance. At the Old Melbourne Gaol, operated by the National Trust of Australia (Victoria) rather than licensed to an external party, that framework is internal; the Trust itself holds the management lease from Heritage Victoria and governs its own after-dark programme accordingly. The structure differs at sites where a heritage body owns the asset but contracts tour delivery to a commercial operator, in which case the access agreement functions as both a licence and a liability instrument.

Heritage listing imposes a separate layer of constraint. A property on the Victorian Heritage Register or an equivalent state register cannot be altered without approval, and any approved use — including regular night-time public access — must be consistent with a conservation management plan. That plan typically specifies which areas are structurally safe for visitor movement, at what density, and under what supervision ratios. An operator who wishes to extend tours into a wing not covered by the plan must seek a permit variation, a process that can take months and frequently involves a building inspector's report.

The exterior of the Fremantle Roundhouse — the circular 1831 sandstone building — photographed from the street, an adult figure in the doorway for scale
Completed in 1831, the Roundhouse is the oldest surviving public building in Western Australia. It holds eight cells.Photo: Arthur head n Roundhouse gnangarra-1 · Wikimedia Commons

Insurance Structures and Who Actually Carries the Risk

Public liability insurance is the non-negotiable threshold for entry into this market. Heritage bodies universally require it, and the required coverage amounts have risen substantially over the past two decades as the volume of after-dark visitors has grown. The figure most commonly cited in heritage-site tender documents for operator licences is a minimum of $20 million in public liability cover per event — though the precise requirement varies by jurisdiction and site, and operators are advised to confirm current terms directly with the managing authority.

The question of who carries risk when an incident occurs is more complex than a single policy figure suggests. At a site where the heritage body is also the tour operator — the National Trust model at Old Melbourne Gaol, or the Port Arthur Historic Site Management Authority's own night programme at Port Arthur — liability rests with the institution, and its insurance arrangements typically sit within a broader organisational policy. Where an external commercial operator holds a licence, the agreement normally requires that operator to indemnify the heritage body and to name it as an interested party on the policy. A visitor injury during a ghost tour that results in a claim may therefore involve two separate insurers, a licence agreement, and a conservation management plan all being examined simultaneously.

Workers' compensation adds a further dimension. Casual guides — common in the ghost-tour industry, where evening work suits a seasonal roster — must be covered under the operator's workers' compensation scheme in whichever state the tour runs. The Safe Work Australia national guidance on workers' compensation ↗ applies across the industry, though scheme administration remains state-based. An operator running tours in multiple states, as several larger heritage tourism companies do, must maintain scheme registrations in each relevant jurisdiction.

A corridor inside Old Melbourne Gaol, cell doors open on both sides, available light from a high window, an adult visitor visible at the far end
The gaol closed in 1929 and kept its scaffold and its death masks. The night programme walks the same corridors as the daytime museum.Photo: Old Melbourne Gaol, Melbourne Australia · Wikimedia Commons

What the Tender Process Looks Like

When a state heritage body puts a site's after-dark licence out to tender — as happens at a number of gaol and other heritage sites — the request-for-tender document typically runs to considerable length. Evaluation criteria include demonstrated heritage interpretation experience, proposed visitor numbers and emergency evacuation plans, and the insurance certificates listed above. A tenderer who cannot supply a current certificate of currency alongside a conservation-aligned interpretation plan will not progress past the initial assessment stage.

The bureaucratic architecture is, in aggregate, what makes the Australian heritage night-tour industry structurally stable. Operators may come and go; site-management frameworks, insurance minima and heritage-listing obligations persist, and they are the reason a lantern-tour ticket at a major gaol costs what it does.